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Not Like This Voice and Piano Key of C
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Vous avez sélectionné:
Not Like This Voice and Piano Key of C
Partitions à imprimer
89 partitions trouvées
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Not Like This - Voice and Piano - Key of C
Not Like This - Voice and Piano - Key of C
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Jazz
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Al Jarreau
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Daryl McKenzie
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Not Like This - Voice and Pian
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Daryl McKenzie
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SheetMusicPlus
By Al Jarreau. Arranged by Daryl McKenzie. Lead Sheet, Piano Reduction, Sheet Music Single. 3 pages. Published by Daryl McKenzie...
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By Al Jarreau. Arranged by Daryl McKenzie. Lead Sheet, Piano Reduction, Sheet Music Single. 3 pages. Published by Daryl McKenzie
$12.99 ≈
12.12€
Another Hundred People
Another Hundred People
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniel Bernard Roumain and Ste
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W
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Another Hundred People
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Diamond S Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.790034 Composed by Daniel Bernard Roumain and Stephen Sondheim. Arranged by W. Brent Sawyer. Contemporary. ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.790034 Composed by Daniel Bernard Roumain and Stephen Sondheim. Arranged by W. Brent Sawyer. Contemporary. Score. 70 pages. Diamond S Music #3553689. Published by Diamond S Music (A0.790034). ANOTHER HUNDRED PEOPLE from the musical COMPANY. VOCAL SOLO in the KEY of C with 9 piece Band Accompaniment. FULL SCORE & PARTS. This arrangement of the popular song from the ground-breaking 1970’s musical Company by Stephen Sondheim is very true to the original version of the song as heard on the original Broadway Soundtrack. Here, it has been scored for: REED 1 (Flute), REED 2 (Bb Clarinet)., Bb Trumpet, Trombone, Violin, Piano, Bass, Drums, Percussion (Vibes, Bells, Timpani). Unlike most book musicals, which follow a clearly delineated plot, Company is a concept musical composed of short vignettes, presented in no particular chronological order, linked by a celebration for Bobby's 35th birthday. Company was among the first musicals to deal with adult themes and relationships. This arrangement is available in the KEY of C (original key) and the Key of A. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$42.99 ≈
40.11€
Another Hundred People
Another Hundred People
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniel Bernard Roumain and Ste
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W
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Another Hundred People
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Diamond S Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.790035 Composed by Daniel Bernard Roumain and Stephen Sondheim. Arranged by W. Brent Sawyer. Contemporary. Score. ...
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Piano,Vocal,Voice - Level 4 - SKU: A0.790035 Composed by Daniel Bernard Roumain and Stephen Sondheim. Arranged by W. Brent Sawyer. Contemporary. Score. 11 pages. Diamond S Music #3553691. Published by Diamond S Music (A0.790035). ANOTHER HUNDRED PEOPLE from the musical COMPANY. VOCAL SOLO in the KEY of C with 9 piece Band Accompaniment. THIS IS THE PIANO/VOCAL PART ONLY. This arrangement of the popular song from the ground-breaking 1970’s musical Company by Stephen Sondheim is very true to the original version of the song as heard on the original Broadway Soundtrack. Here, it has been scored for: REED 1 (Flute), REED 2 (Bb Clarinet)., Bb Trumpet, Trombone, Violin, Piano, Bass, Drums, Percussion (Vibes, Bells, Timpani). Unlike most book musicals, which follow a clearly delineated plot, Company is a concept musical composed of short vignettes, presented in no particular chronological order, linked by a celebration for Bobby's 35th birthday. Company was among the first musicals to deal with adult themes and relationships. This arrangement is available in the KEY of C (original key) and the Key of A. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99 ≈
9.32€
Bach - Fugue in C - Level E - (Key Map Tablature)
Bach - Fugue in C - Level E - (Key Map Tablature)
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Piano seul
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AVANCÉ
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Classique
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Johann Sebastian Bach
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John M
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6 Pages
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Bach - Fugue in C - Level E -
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Music Innovators Workshop
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.984695 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 6 pages. Music Innovators Worksh...
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Piano Solo - Level 5 - SKU: A0.984695 Composed by Johann Sebastian Bach. Arranged by John M. Honeycutt. Baroque. Score. 6 pages. Music Innovators Workshop #4356271. Published by Music Innovators Workshop (A0.984695). This is a very interesting 4 voice fugue. I like a lot - but I can't play it on this tablature - even though I can play it on traditional notation. I wonder if it's because I learned to play it first on the traditional notation, or if the complexity of the piece makes the tablature less effective than it is on less complex pieces. Actually, i'm fascinated by the way it looks on the tablature. The weaving of the melody lines is very interesting. It really is a visual work of art! 6 Pages.This piece is notated on a vertically oriented tablature called a key map. Key maps are intended to SHOW you (visually) which keys to play by matching (mapping) the locations of the keys on the keyboard. >>> The group of 12 keys from Middle C up to B form what we call the green Octave Group (There are 7 of these identical groups on the piano distinguished by their colors and locations.) The key map staff is based on an octave group of the keyboard. For each key map octave group, the 5 vertical lines of the staff stand for the 5 matching black KEYS. >>> Staff lines ARE SPACED to match the horizontal spacing of the black keys on the keyboard The notes for black keys are placed ON these staff lines. The notes for the white keys are placed BETWEEN the lines. >>> The notes of a key map move to the left and right to indicate change in PITCH and down the page to indicate the passing of TIME (rhythm). The vertical length of each note is proportional to the time (in beats) that the sound requires.If you want to know more about this beautiful key map notation, you might consider reviewing our article describing how this notation works, entitled: Getting Started With Key Maps for the Piano. It contains an explanation of how key maps work and includes a number of examples. 16 pages. It is promotionally priced at only $1.99. (Actually, you can read the fist few pages simply by going to the look inside pages of the article.)
$2.00 ≈
1.87€
Peace Like a River (Two Octave, Early-Intermediate Piano Solo)
Peace Like a River (Two Octave, Early-Intermediate Piano Solo)
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Piano Facile
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DÉBUTANT
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Sharon Wilson
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Sharon Wilson
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Peace Like a River
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Sharon Wilson
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.1386664 By Sharon Wilson. By African-American Spiritual, Folk Song, and Traditional Spiritual. Arranged by Sharon ...
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Piano,Vocal,Voice - Level 1 - SKU: A0.1386664 By Sharon Wilson. By African-American Spiritual, Folk Song, and Traditional Spiritual. Arranged by Sharon Wilson. Children,Christian,Instructional,Praise & Worship,Sacred. Score. 2 pages. Sharon Wilson #970546. Published by Sharon Wilson (A0.1386664). This early-intermediate piano solo arrangement has been artistically crafted to provide a unique accompaniment that creatively enhances the melody line played by the right hand. Lyrics are included for sing-along enjoyment.All notes for this arrangement are within the two octaves adjoining Middle C. The LEFT HAND plays from low C to Middle C. The RIGHT HAND plays from Middle C to high C. This arrangement is ideal for introducing classic Christian songs to piano students. It is a great addition to the supplementary repertoire for students after they have mastered the basics of music notation and note reading. This arrangement is also great for sight-reading practice and perfect for small keyboards. Requiring only two octaves, it provides the opportunity for additional practice and enjoyment even when a full-sized keyboard is not available. This arrangement is one of the 20 songs in the collection titled 20 Easy Christian Classics, BOOK 2 (Two Octave, Early-Intermediate Piano Solos). Visit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$2.99 ≈
2.79€
Beethovens Wig Sing Along Piano Classics
Beethovens Wig Sing Along Piano Classics
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Piano, Voix
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INTERMÉDIAIRE
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Beethoven's Wig, Richard Perlm
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Beethovens Wig Sing Along Pian
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Beethoven's Wig, Inc.
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.928572 Composed by Beethoven's Wig, Richard Perlmutter. Children,Classical,Instructional,Romantic Period,Standards...
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Piano,Vocal,Voice - Level 3 - SKU: A0.928572 Composed by Beethoven's Wig, Richard Perlmutter. Children,Classical,Instructional,Romantic Period,Standards. Score. 65 pages. Beethoven's Wig, Inc. #6384013. Published by Beethoven's Wig, Inc. (A0.928572). Inspired and wildly imaginative, Beethoven's Wig Sing Along Piano Classics are zany, stick-in-your-head lyrics set to masterpieces by great composers. The lyrics are filled with fact and fancy about the composers and their music opening a door to serious music that's fun. It’s fun to play and sing along! The music for each piano piece is presented as it was originally written by the composer. As a bonus, there is an appendix with pieces transposed into the keys used on Beethoven’s Wig recordings. This allows pianists to play and sing along with the recorded tracks.GREAT FOR PIANO STUDENTS AND TEACHERSPiano teachers often tell their students they should sing the instrumental pieces they play to improve their performance. This helps students to interpret pieces lyrically. The witty and delightful lyrics in this collection are an entertaining means to that end. They are great to sing along with when playing, and are educational and fun!PRAISE FOR BEETHOVEN'S WIGClassical music was never supposed to be this much fun. Was it?- Baltimore Sun Instrumental music tends not to charm children...and a classical piece like Beethoven's Fifth Symphony. Not a good bet. But what if that work had words? - New York TimesThe songs are funny... The lyrics are hummable mnemonics, each imparting information about the work or the composer.- Washington PostAn irreverent, witty approach to music appreciation... a laugh out loud that pretty much guarantees listeners will forevermore recognize the classics.-Los Angeles TimesABOUT BEETHOVEN'S WIGBeethoven's Wig is the creation of Richard Perlmutter, who is the lyricist, lead singer and producer of the group's five albums. Beethoven's Wig has toured North America and performed at arts centers and with symphony orchestras. The group's recordings have won 50 awards including including four GRAMMY Nominations. They have also won Parent's Choice Awards, Teacher's Choice Awards and been designated as Notable Recordings by the American Library Association. CONTENTS - MUSIC IN THE COMPOSER’S ORIGINAL KEYSBeep, Beep, Beep (Moonlight Sonata, Beethoven), Just For Elise (Für Elise, Beethoven), La De Da Sonata (Sonata in C, Mozart), A Piano Is Stuck In The Door (The Entertainer, Joplin), My Little Chicken (Chopsticks, de Lulli), Poor Uncle Joe (Funeral March, Chopin), A Fan of Chopin (Prelude Op. 28, No 7, Chopin), Mozart Makes Kids Smart (Alla Turca, Mozart), Minuet For My Pet (Minuet In G, Beethoven), Dvorak The Czechoslovak (Humoresque No. 7, Dvorak), Franz Liszt The Famous Pianist (Hungarian Rhapsody No. 2, Liszt), I Can’t Sleep (Lullaby, Brahms), I Like Art (Promenade From Pictures At An Exhibition, Mussorgsky)APPENDIX - MUSIC IN THE KEYS ON BEETHOVEN’S WIG RECORDINGSJust For Elise - Key of Eb Minor (Für Elise, Beethoven), A Piano Is Stuck In The Door - Key of G (The Entertainer, Joplin), Minuet For My Pet - Key of D (Minuet In G, Beethoven), Dvorak The Czechoslovak - Key of Bb (Humoresque No. 7, Dvorak, Franz Liszt The Famous Pianist - Key of F (Hungarian Rhapsody No. 2, Liszt)
$17.99 ≈
16.78€
This is Our Prayer
This is Our Prayer
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Piano, Voix et Guitare
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DÉBUTANT
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Musique Sacrée
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Lisa Waites
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Lisa Waites
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This is Our Prayer
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Servant Song Music and Ministry
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.965763 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Children,Film/TV,Praise & Worship,Sacred,Sp...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.965763 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Children,Film/TV,Praise & Worship,Sacred,Spiritual. Score. 1 pages. Servant Song Music and Ministry #571431. Published by Servant Song Music and Ministry (A0.965763). I wrote this contemporary hymn as a musical prayer response to the invasion of Ukraine in 2022. In liturgical churches, it functions beautifully as a congregational sung response following the Prayers of the People (or even replacing the Prayers of the People). In evangelical settings, it can be sung as a stand-alone worship hymn right after the sermon, or as part of a set of worship songs at the beginning or conclusion of the service. I am a prolific songwriter, and I've been writing music for 35+ years now. Through all of those years, there have only been a handful of occasions where I have felt more like a conduit of the Holy Spirit than the composer of the hymn; this was definitely one of those times. This is Our Prayer is written in the key of F Major, making it highly accessible for beginning church accompanists. It has a moderate tempo, set in a 3/4 time signature with a lilting rhythm. The vocal range is designed for robust congregational singing. The melody line is just one octave, ranging from Middle C to the C above it; the Alto line is just a six note range, from Middle C to the A above. This score includes the piano accompaniment in a strophic, hymn style format, two-part vocal harmony, and guitar chords (which can also assist pianists who play by chord + melody line, instead of by reading the score). The simplicity of this hymn does not detract from its' beauty, however. This is a highly singable, memorable tune with some interesting rhythmic patterns. The lyrics of this hymn are loosely based on Romans 12:12-21 (As far as it depends upon you, live at peace with all people). The words of the hymn are truly a prayer, asking God for peace, but they also remind us that as people of faith, we are invited to participate WITH God in the process of making peace on earth, by how we pray, live, give, and place our trust in God. One lyric reads that we dare to pray for peace; this is an intentional choice on my part, flagging the potential costliness of becoming people who prioritize peace. The week this hymn was released to Spotify, iTunes, Amazon Music Unlimited, Reverbnation, and Deezer, it debuted at #30 on the Top 100 Contemporary Christian Music Charts on Spotify. The YouTube video version of the hymn (link attached below) was viewed over 7,000 times in the first ten days, by people in over 40 countries. You are welcome to stream it for worship services, on church websites, and on social media. The more people view it, the more ad revenue it will generate, and all profits from the sale of this hymn in any form (video ad revenue, digital MP3 sales on the sites listed above, and the sale of this musical score) will be donated to the Red Cross and the United Church of Canada's Mission & Service Fund; both of these registered charities have targeted programs running to assist Ukrainians who've been displaced by the war. Once the Ukrainian war ends, I will continue to send all profits from the hymn to those same charities to help refugees in other conflict zones. May this hymn comfort and discomfort you. My prayer is that it will prompt all of us to live more faithfully as people of peace - in our individual lives, but also in our families, in our communities, our nations, and our world. To God be the glory!
$3.99 ≈
3.72€
My Favorite Children's Songs - A Pre-staff Notation Collection & Method Book
My Favorite Children's Songs - A Pre-staff Notation Collection & Method Book
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Piano, Voix
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DÉBUTANT
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Elizabeth Essex
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Elizabeth Essex
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My Favorite Children's Songs -
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Elizabeth Essex
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.920668 Composed by Elizabeth Essex. Arranged by Elizabeth Essex. Children,Instructional,Standards. Score. 32 pages...
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Piano,Vocal,Voice - Level 1 - SKU: A0.920668 Composed by Elizabeth Essex. Arranged by Elizabeth Essex. Children,Instructional,Standards. Score. 32 pages. Elizabeth Essex #6716683. Published by Elizabeth Essex (A0.920668). My Favorite Children's Songs is a method book and collection of songs popular with young children, best used with beginners ages 5-7, although selections can be used with any age. Songs are arranged in middle C position using a combination of pre-staff Finger Number Notation and then Alpha Notation, sequenced in order of difficulty. The book introduces new kinds of notes, rests, and the names of new white keys along the way. The first two songs are on the black keys for a bit of extra practice finding finger numbers; the rest of the songs are arranged entirely on the white keys, in or near middle C position.Students will learn about: names of the white keys eighth note pairs quarter note half note dotted half note whole note quarter rest half rest repeat bar tie Table of Contents: Right Way Up (black keys) Rain, Rain, Go Away (black keys) Hot Cross Buns Mary Had a Little Lamb Twinkle, Twinkle Little Star Ode to Joy Cuckoo When the Saints Go Marching In Ring Around the Rosie This Old Man Rockin’ Clocktower Chimes Hush, Little Baby B-I-N-G-O! Little Bunny Foo Foo Row, row, row your Boat Eensie Weensie Spider Head and Shoulders, Knees & Toes The Farmer and the Dell La Lluvia Brother John La Cucaracha Rock-a-Bye ** NOTE: For best results, print double-sided, landscape, and staple-bind down the left side like a book.**
$7.99 ≈
7.45€
Come and Dine
Come and Dine
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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William Lee Golden and the Gol
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Lyndell Leatherman
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some were not
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Come and Dine
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1398426 By William Lee Golden and the Goldens. By Words & Music: C. B. Widmeyer. Arranged by Lyndell Leathe...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1398426 By William Lee Golden and the Goldens. By Words & Music: C. B. Widmeyer. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #981702. Published by Leatherman Music Services (A0.1398426). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 > or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest! God bless!Lyndell Leatherman, ASCAP.
$3.99 ≈
3.72€
Footsteps of Jesus
Footsteps of Jesus
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Mark Trammell Quartet
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Lyndell Leatherman
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some were not
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Footsteps of Jesus
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1399936 By Mark Trammell Quartet. By Words: Mary B.C. Slade / Music: Asa B. Everette. Arranged by Lyndell L...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1399936 By Mark Trammell Quartet. By Words: Mary B.C. Slade / Music: Asa B. Everette. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #983163. Published by Leatherman Music Services (A0.1399936). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 > or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest! God bless!Lyndell Leatherman, ASCAP.
$3.99 ≈
3.72€
Dwelling in Beulah Land
Dwelling in Beulah Land
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Southwest Baptist Church
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Lyndell Leatherman
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some were not
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Dwelling in Beulah Land
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1399909 By Southwest Baptist Church. By Words & Music: C. Austin Miles. Arranged by Lyndell Leatherman. Chr...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1399909 By Southwest Baptist Church. By Words & Music: C. Austin Miles. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #983131. Published by Leatherman Music Services (A0.1399909). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 > or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest! God bless!Lyndell Leatherman, ASCAP.
$3.99 ≈
3.72€
Another Hundred People
Another Hundred People
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniel Bernard Roumain and Ste
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W
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Another Hundred People
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Diamond S Music
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.790037 Composed by Daniel Bernard Roumain and Stephen Sondheim. Arranged by W. Brent Sawyer. Contemporary. Score. ...
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Piano,Vocal,Voice - Level 4 - SKU: A0.790037 Composed by Daniel Bernard Roumain and Stephen Sondheim. Arranged by W. Brent Sawyer. Contemporary. Score. 11 pages. Diamond S Music #3553697. Published by Diamond S Music (A0.790037). ANOTHER HUNDRED PEOPLE from the musical COMPANY. VOCAL SOLO in the KEY of A with 9 piece Band Accompaniment. THIS IS THE PIANO/VOCAL PART ONLY. This arrangement of the popular song from the ground-breaking 1970’s musical Company by Stephen Sondheim is very true to the original version of the song as heard on the original Broadway Soundtrack. Here, it has been scored for: REED 1 (Flute), REED 2 (Bb Clarinet)., Bb Trumpet, Trombone, Violin, Piano, Bass, Drums, Percussion (Vibes, Bells, Timpani). Unlike most book musicals, which follow a clearly delineated plot, Company is a concept musical composed of short vignettes, presented in no particular chronological order, linked by a celebration for Bobby's 35th birthday. Company was among the first musicals to deal with adult themes and relationships. This arrangement is available in the KEY of C (original key) and the Key of A. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99 ≈
9.32€
Another Hundred People
Another Hundred People
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Daniel Bernard Roumain and Ste
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W
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Another Hundred People
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Diamond S Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.790036 Composed by Daniel Bernard Roumain and Stephen Sondheim. Arranged by W. Brent Sawyer. Contemporary. ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.790036 Composed by Daniel Bernard Roumain and Stephen Sondheim. Arranged by W. Brent Sawyer. Contemporary. Score. 70 pages. Diamond S Music #3553693. Published by Diamond S Music (A0.790036). ANOTHER HUNDRED PEOPLE from the musical COMPANY. VOCAL SOLO in the KEY of A with 9 piece Band Accompaniment. FULL SCORE & PARTS. This arrangement of the popular song from the ground-breaking 1970’s musical Company by Stephen Sondheim is very true to the original version of the song as heard on the original Broadway Soundtrack. Here, it has been scored for: REED 1 (Flute), REED 2 (Bb Clarinet)., Bb Trumpet, Trombone, Violin, Piano, Bass, Drums, Percussion (Vibes, Bells, Timpani). Unlike most book musicals, which follow a clearly delineated plot, Company is a concept musical composed of short vignettes, presented in no particular chronological order, linked by a celebration for Bobby's 35th birthday. Company was among the first musicals to deal with adult themes and relationships. This arrangement is available in the KEY of C (original key) and the Key of A. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$42.99 ≈
40.11€
God: Our Leader Medley (for 4 and 5 octave handbell choirs)
God: Our Leader Medley (for 4 and 5 octave handbell choirs)
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Cloches
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FACILE
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Musique Sacrée
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Frank M
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G
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God: Our Leader Medley
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Gary Ray Adkison
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SheetMusicPlus
Handbell - Level 2 - SKU: A0.953733 Composed by Frank M. Davis, Henry Smart, John Hughes, Robert Lowry, William B. Bradbury, and and George A. Young. Ar...
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Handbell - Level 2 - SKU: A0.953733 Composed by Frank M. Davis, Henry Smart, John Hughes, Robert Lowry, William B. Bradbury, and and George A. Young. Arranged by G. R. Adkison. Christian,Sacred. Score. 10 pages. Gary Ray Adkison #14705. Published by Gary Ray Adkison (A0.953733). God: Our Leader Medley is a 120 measure arrangement for 4-5 octave handbell choir and 3 octaves of OPTIONAL associated handchimes, although the handchime parts can also be played by handbells. The overall theme is the leadership of God in the life of the Christian. This is a medley of 7 Christian hymns. The first 4 are requests---requests to God to lead us. The last 3 are descriptions of God leading us (responses by God). The 1st request is presented by the handchimes playing Savior Lead Me. This is a simple, easy to play section in the key of D. Still in D, the 2nd request is Lead on, O King Eternal. After a false modulation, the 3rd request is Savior, Like a Shepherd Lead Us. This features a few bass runs. After a modulation to the key of G, the 4th request starts with Guide Me, O Thou Great Jehova. Also featuring some bass runs, it also makes use of descant lines. The 1st response, also in G, is All the Way My Savior Leads Me. This section is not in the original 3/4 time, but in 4/4 time, although near the end it reverts to the normal 3/4. It makes heavy use of fills and a brief descant line. The 2nd response is a 6/4 version of God Leads Us Along in the key of C. Again, there is a brief descant line. The last response is He Leadeth Me, also in C, that features two descant passages, and bass runs in the last two lines. After the first section of the overall arrangement, the chords used are often significantly more interesting than the chords normally used with these 7 hymns. This arrangement uses various dynamic and tempo markings, in order to achieve musical contrast, and still be true to the character of the original hymns. (The MP3 audio demonstration file provided is in a piano patch (voice), although the actual arrangement is for (and, of course, will sound better with a) handbell choir.) This arrangement is probably a level 2+ (2 plus) degree of difficulty.
$4.00 ≈
3.73€
Bruises
Bruises
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Pop musique
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Lewis Capaldi
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Leonie Capararo
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Bruises
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Notewell Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.892926 By Lewis Capaldi. By James Earp, Lewis Capaldi, and Robert Earp. Arranged by Leonie Capararo. Pop. S...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.892926 By Lewis Capaldi. By James Earp, Lewis Capaldi, and Robert Earp. Arranged by Leonie Capararo. Pop. Score. 5 pages. Notewell Music #5336031. Published by Notewell Music (A0.892926). This arrangement features and independent piano accompaniment, vocals and guitar chords in the original key of C# minor suitable for a male voice. You might be interested in checking out 'Supermarket Flowers', 'I'm Still Standing', 'Writing's on the Wall' and 'Ob-La-Di'. I am constantly adding new material. Follow me on facebook or email me at notewellmusic.com for suggestions of pieces you would like me to arrange.
$5.00 ≈
4.67€
En Face Du Miroir (Facing The Mirror)
En Face Du Miroir (Facing The Mirror)
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Piano seul
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AVANCÉ
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Jazz
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Isadar
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En Face Du Miroir
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Mainya Music Publishing
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SheetMusicPlus
Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Ma...
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Piano Solo - Advanced - Composed by Isadar. Contemporary Classical, Jazz, Recital, Americana, New Age. Sheet Music Single. 11 pages. Published by Mainya Music Publishing (BMI)
Contains:
"En Face Du Miroir (Facing The Mirror)"
- taken from the Isadar solo piano complete collection, "Red" (also available on SMP)
Sounds like: Keith Jarrett, Bill Evans, Vince Guaraldi, Liz Story, George Winston, early Windham Hill solo piano artists
Transcribed by: David Shenton ( https://www.shentonmusic.com/ ) verbatim to the sound recording
Album & Songbook Review by: Kathy Parsons
Red is pianist/composer Isadar?s genre-defying tenth solo piano album and seventeenth independent release from the past twenty years. It is also the third installment in a trilogy of solo piano albums released in the past year - Reconstructed, a Will Ackerman-produced anthology of some of Isadar?s best piano pieces; O Christmas, Isadar?s second piano Christmas album; and now Red, a bittersweet love-themed album that took seven years to produce and that consists of the first new original solo piano material Isadar has released in more than ten years.
I have been reviewing and thoroughly enjoying Isadar?s releases since his second piano album, 1999?s Active Imagination, which still stands as one of my favorite recordings. Even though I have been a big fan for many years, I was still blown away by Isadar?s live performance in my house concert series in July 2010. The man has magic fingers and an extraordinary piano touch that are perfectly suited to express his imaginative, distinctive, and emotionally powerful music.
Isadar is also a singer/songwriter and an electronic musician who creates the music videos for much of his music, dramatizing the stories that inspired the songs. I will always be partial to Isadar?s piano albums because his voice and vision are unique, incorporating jazz, new age, pop, and classical stylings into a musical language all his own.
Red opens with ?Broken Valentine,? a free-flowing expression of heartbreak and the broad range of emotions that go with it, alternating between grief and confusion then shifting to perhaps anger and resignation - a great beginning. The title track conveys the freedom of an improvisation while weaving together a variety of upbeat themes. ?The Man Who Broke My Heart? is energetic and in constant swirling motion - also very free and from deep within. ?The Stairwell? is darker and much more mysterious, overflowing with Isadar?s intriguing accented rhythms and picturesque compositional style. My favorite track is the almost nine-minute ?Letting Go,? a piece that intertwines a series of musical vignettes into a powerful, colorful musical collage. I love the way Isadar seamlessly goes from flowing and smooth to a bouncy jazz style to high drama without missing a beat. Great stuff! ?En Face Du Miroir (Facing the Mirror)? is much lighter, with fingers dancing nimbly around the piano keyboard. The album closes with ?Blood ... Thicker Than Water,? again a combination of changing themes that could well be a musical family portrait - different personalities working separately and as a unit, bound together by the unseen ties that keep families together through thick and thin.
Isadar has created another piano masterpiece that should be more widely heard than his previous releases due to the success of Reconstructed. I hope so, anyway! Red is available from isadar.com, Amazon, iTunes, and CD Baby. Very highly recommended!
Isadar?s Red: Solo Piano Sheet Music Collection is a note-for-note transcription of all seven pieces from Isadar?s 2013 CD/download release by the same name. The music was transcribed by David Shenton (shentonmusic.com) with clear, concise notation that includes dynamics, pedaling and metronome settings.
Isadar is an amazing pianist with a style all his own, so this isn?t a book that most pianists will be able to just sit down and play. It will take some work and attention to detail to get this music right, but it will be well worth the effort. Having the recording for handy reference would be a big help.
Rhythms are often complex and syncopated, but are usually repeated within each piece, so once you have them, the rest will follow fairly easily. There are only a few chords with a reach of more than an octave and none of the key signatures are terribly difficult. The layout and spacing of the music is excellent, and the paper stock is a bright white 9?x12? format with a stapled binding.
If you enjoy listening to Isadar?s music, I?m sure you will enjoy playing it, too! This songbook is available from isadar.com. Recommended!
The songs with their key signatures and the number of pages is listed below:
Broken Valentine - C minor (3 flats) - 4 pages
Red - A minor (0 sharps or flats) - 5 pages
The Man Who Broke My Heart - A minor - 6 pages
The Stairwell - F# minor (3 sharps) - 7 pages
Letting Go - F minor (4 flats) / C minor (3 flats) - 8 pages
En Face Du Miroir (Facing the Mirror) - Ab (4 flats) / F minor/ Bb minor (5 flats) / Db (5 flats) - 7 pages
Blood ... Thicker Than Water - A Minor/ C (0) / F (1 flat) - 7 pages
Isadar is an artist on both Enlightened Piano Radio & Whisperings Solo Piano Radio, the latter featuring some of today's biggest names in solo piano music, including Ludovico Einaudi, David Nevue, Brian Crain, Kevin Kern, Robin Spielberg, Michele McLaughlin, Philip Wesley and over 300 more...
Also available as sheet music in physical songbooks, digital downloads, as well as software for Yamaha Disklavier player-pianos.
For more information, visit his website at: http://www.isadar.com
$5.99 ≈
5.59€
Dvorak Slavonic Dance, Op.46, No.2, for piano duet, PD882
Dvorak Slavonic Dance, Op.46, No.2, for piano duet, PD882
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1 Piano, 4 mains
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Classique
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Antonin Dvorak
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Dvorak Slavonic Dance, Op.46,
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FCMUSIC
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SheetMusicPlus
Composed by Antonin Dvorak (1841-1904). Romantic Period. Score. 8 pages. Published by FCMUSIC (S0.72595). - Score - Romantic Period - FCMUSIC...
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Composed by Antonin Dvorak (1841-1904). Romantic Period. Score. 8 pages. Published by FCMUSIC (S0.72595). - Score - Romantic Period - FCMUSIC
$6.00 ≈
5.60€
Locked Out Of Heaven
Locked Out Of Heaven
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Bruno Mars
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Brad Esbensen
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Locked Out Of Heaven
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Brad Esbensen Music Services
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Bass Guitar,Double Bass,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - SKU: A0.774435 By Bruno Mars. B...
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Alto Saxophone,Baritone Saxophone,Bass Guitar,Double Bass,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Voice - Level 3 - SKU: A0.774435 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Brad Esbensen. Contemporary,Pop,R & B,Rock. 44 pages. Brad Esbensen Music Services #6201823. Published by Brad Esbensen Music Services (A0.774435). This arrangement is written in a little big band format and is the key of C minor, one tone lower than the original Bruno Mars key. While this chart has been written for 6 horns (alto sax, tenor sax, bari sax, 2 trumpets and trombone) it has been designed to be playable with rhythm section only (horns cued in keys part) or as few as two front line (trumpet and tenor sax). It follows the same form as the original recording and is sure to be a crowd pleaser. If you would like this chart transposed into another key, please e-mail me at brad@bemus.com.au. www.bemus.com.au.
$45.00 ≈
41.99€
La Donna è Mobile
La Donna è Mobile
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Piano, Voix
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INTERMÉDIAIRE
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Opera
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Classique
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Giuseppe Verdi
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Rodrigo Faleiros
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La Donna è Mobile
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Rodrigo Faleiros
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1228836 Composed by Giuseppe Verdi. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Scor...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1228836 Composed by Giuseppe Verdi. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Opera,Romantic Period. Score. 2 pages. Rodrigo Faleiros #824745. Published by Rodrigo Faleiros (A0.1228836). This new music arrangement of the aria La Donna è Mobile from Giuseppe Verdi's opera Rigoletto has been adapted to suit soloists and students. The arrangement features the main melody line with lyrics followed by a piano accompaniment notated along with chords, transposed for the key of C major, allowing for greater focus on the soloist’s voice and enabling students to perform the piece with greater ease. With its catchy and memorable tune, La Donna è Mobile is a classic Italian aria that will appeal to both performers and audiences alike.
$3.99 ≈
3.72€
Celtiberian Landscape For Harp And Orquestra
Celtiberian Landscape For Harp And Orquestra
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Orchestre
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FACILE
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeir...
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Full Orchestra - Level 2 - SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99 ≈
23.32€
Lorelei from Romanzen und Balladen III, op. 53, Low Voice Transposition in C major
Lorelei from Romanzen und Balladen III, op. 53, Low Voice Transposition in C major
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Classique
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Robert Schumann
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Nicole Elyse DiPaolo
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Lorelei from Romanzen und Ball
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Nicole Elyse DiPaolo
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SheetMusicPlus
Low Voice,Vocal Solo - Level 3 - SKU: A0.799605 Composed by Robert Schumann. Arranged by Nicole Elyse DiPaolo. Romantic Period. 2 pages. Nicole Elyse Di...
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Low Voice,Vocal Solo - Level 3 - SKU: A0.799605 Composed by Robert Schumann. Arranged by Nicole Elyse DiPaolo. Romantic Period. 2 pages. Nicole Elyse DiPaolo #3455867. Published by Nicole Elyse DiPaolo (A0.799605). A low-voice-friendly transposition of this relatively little-known Schumann song about the Lorelei (a mythical mermaid-like creature from the Rhine river). It has a one-octave range from C3-C4 as written, so it’s great for an undergraduate singer still sorting out technique. If you would like to commission a customized transposition in another key, please contact me through my website (linked below).About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo is a versatile pianist, composer, and scholar currently based in Bloomington, Indiana. She holds a B.Mus in Music Theory from the University of Michigan-Ann Arbor, where she studied piano under Michele Cooker and Louis Nagel; she also studied composition with Bright Sheng and basso continuo/harpsichord accompaniment with Edward Parmentier. In 2006 and 2007, Nicole appeared as a concerto soloist with the Ambassador Chamber Players, featuring works of J. S. Bach and Mozart alongside two performances of her own Piano Trio in C minor. Following her graduation from Michigan, Nicole completed an MM in Music Theory from Indiana University-Bloomington, where she has recently become a PhD candidate in the same field; her dissertation research will explore relationships between selected early partimenti (instructional sketches used by Italian composition teachers) and George Frideric Handel’s compositional techniques. Currently, Nicole is a sought-after private instructor of piano, music theory, and composition on the IU campus, where she is also an active mostly-vocal accompanist. Nicole continues to enjoy musical partnerships with students of nearly every current IU voice department faculty member (and she unashamedly absorbs and borrows teaching/coaching/performing tips from all these professors). In addition, she has taken French and German diction courses with Prof. Gary Arvin. Notable recent engagements include the 2016 National Society of Arts and Letters Vocal Competition (multiple entrants); the Opera Night at North benefit concert with students of IU's top-ranked opera program (among them Accidental Tenor Andrew Lunsford); and two long-term cruise ship performing contracts with violinist Amy Schlicher as the Duo del Mare.When not working on one of her many concurrent musical projects, Nicole might be found maintaining The Collaborative Pianists’ Community on Facebook, cuddling the nearest dog, looking for opportunities to maintain her Spanish and Italian language skills, and raising and releasing monarch butterflies. To learn more about Nicole’s many and varied performing, teaching, research, and publishing pursuits, please visit her website at http://ndipaolo.musicaneo.com .
$4.95 ≈
4.62€
After Dark
After Dark
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Piano Facile
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FACILE
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Forrest Avery Carney and Moham
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Nicole Elyse DiPaolo
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After Dark
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Nicole Elyse DiPaolo
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1112682 Composed by Forrest Avery Carney and Mohamad Indra Gerson. Arranged by Nicole Elyse DiPaolo. New Age,Pop. Score. ...
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Easy Piano - Level 2 - SKU: A0.1112682 Composed by Forrest Avery Carney and Mohamad Indra Gerson. Arranged by Nicole Elyse DiPaolo. New Age,Pop. Score. 3 pages. Nicole Elyse DiPaolo #714697. Published by Nicole Elyse DiPaolo (A0.1112682). An abridged version of After Dark optimized for early intermediate pianists and those with small hands. The left hand chords can be varied with arpeggios, tremolos, and the like as the student's skill level allows. Great for teens who are fairly early in their piano studies and busy students who want to learn this piece quickly. ABOUT THE ARRANGER: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions (two of which also featured her own Piano Trio in C minor) and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited contributor to the Tonebase app's piano blog; and a sought-after online instructor of piano, music theory, and composition. She has additionally been an online teaching artist for the Tunaweza Kimuziki cultural/artistic exchange program+, through which IU instructors teach undergraduate music students in Kenya via Zoom and WhatsApp. Ms. DiPaolo was also on the composition and collaborative piano faculty at Blue Lake Fine Arts Camp in 2014 and 2015. In June 2018, Ms. DiPaolo was a Collaborative Piano Fellow at the Bay View Music Festival in Petoskey, Michigan, performing with the festival's SOARS voice program participants on fully staged opera scenes and art song recitals as well as in the Bay View Young Artist Series (Charlevoix, MI). She then joined the Spooky Goose Opera team as an online coach/pianist for their Quarantine Concert Series, the world's first livestreamed Zoom production of Mozart's Die Zauberflöte (summer 2020), and new opera projects under development. When not on the piano bench, Ms. DiPaolo continues to compose and arrange, and her compositions have been described as very effective with a fantastic amount of intrigue, mindfulness...[and] colorful nuance (Seven Sky Music). Ms. DiPaolo's music has been heard across the world. Along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed nationwide, and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Ms. DiPaolo's music also received its Mexican premiere in 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014 Ms. DiPaolo published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, for early-intermediate pianists of all ages, available on SheetMusicPlus and MusicaNeo, and she is currently working on Vignettes, a new set of pedagogical pieces that will introduce intermediate pianists to the Impressionist language of Maurice Ravel. Most recently, her Divertimento and Lucid Dreaming for solo harp were chosen to be featured in the She Scores new music festival, celebrating women composers with ties to Ohio, held at Case Western Reserve University in June 2022 and recorded for later broadcast on Mark Satola's Cleveland Ovations program on WCLV radio (90.3). Also a sought-after composition teacher and adjudicator, Ms. DiPaolo frequently judges state, regional, and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists. In her private online studio, she has recently expanded her curricular offerings to include partimento and other historical methods of teaching tonal composition and improvisation.
$5.99 ≈
5.59€
Introspection 1
Introspection 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the same standard, it can't be
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Eric Paul Nolte
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Introspection 1
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte ...
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Piano Solo - Level 4 - SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte (A0.987080). This piece is one of an album of my contemporary classical compositions. Yes, I too wince at offering you something saddled with this oxymoron--contemporary classical--but this phrase is now an irresistible, commercially recognized category defying any principled protest from the ranks of wounded musicological curmudgeons like me. The style here employs a tonal palette that celebrates the more or less common practice of composers from J. S. Bach to Ravel, Prokofiev, and the 20th century American songbook. You will see that I reject Arnold Schoenberg's assertion that by 1910 tonality had exhausted itself, and needed to be reinvented according to an aesthetics that dismiss our scales and harmonies as purely arbitrary human conventions with no basis in nature. On the contrary, I believe that we are endowed by our nature to respond emotionally to our traditional materials of music in the same way as nature equips us to respond to the taste of food and drink. We differ in our taste for savory, sweet, and sour, but it is wrong to say that our very capacity to taste is a merely cultural convention. There is biology, and then physics too! By the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats. The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony. Moreover, some passages are written in a spiky harmony that might be analyzed as bitonal, as at the meno mosso section, beginning at measure 112, where the mood I wanted to set inspired me to write the theme in C minor while the left hand climbs up from the bottom of the keyboard in a widely spaced, D-flat 13 arpeggio. I have composed these pieces with the skills of intermediate to early-advanced pianists in mind. This piece demands the ability to play some counterpoint between two voices in one hand. There is a section that requires one to play moderately fast octaves, but nothing as difficult as the G minor Prelude of Chopin (to say nothing of his harrowing octave Etude from Opus 25!) While there are many polyrhythmic passages, none is more complicated than two-against-three notes. All said, there is nothing here to make your hands (or, I dare say, your ears) bleed. The performing time is around nine minutes and a breath or three. I have a number of videos posted on YouTube.com, I have a website under construction, ericpaulnolte.com, and, since 2011, an occasional blog of my ravings on life, love, and the cosmos, at ericpaulnolte.blogspot.com. You may write me at nolte0125@gmail.com.
$3.99 ≈
3.72€
Nobody Love a Fairy When She's Forty - in C major (soprano key)
Nobody Love a Fairy When She's Forty - in C major (soprano key)
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Arthur Le Clerq
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Kim Kirkman
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Nobody Love a Fairy When She's
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Kim Kirkman
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SheetMusicPlus
Voice Duet Piano,Vocal,Voice - Level 3 - SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditi...
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Voice Duet Piano,Vocal,Voice - Level 3 - SKU: A0.779671 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697501. Published by Kim Kirkman (A0.779671). This is a wonderful old comedy song.This is in C major - the high key for sopranosI have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king.But alas, I'm getting on, The years have flown somehow,And I feel that Fairy Snowdrop isn't wanted now.Chorus One:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.She may still have her magic power, But that is not enough,They like their bit of magic from a younger bit of fluff.When once your silver star has lost its glitter,And your tinsel looks like rust instead of gold.Your fairy days are ending when your wand has started bending.Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airI’ve been a fairy of the flowers, and fairy daffodils,I’ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess!Verse 2:Nobody loves a fairy when she's forty.Nobody loves a fairy when she's old.As far as I can see they try to push you off the map,When once your wand has withered and your wings refuse to flap.When you have lost your little fairy dimples,And the mothholes in your dress let in the cold,It seems that they would sooner listen to a blinkin' crooner,Noone loves a fai-y when she's old!
$1.99 ≈
1.86€
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